Since 2018, exhibiting at the Biennale “De Mains De Maîtres” in Luxembourg, MarieIsabelle Callier makes painted room dividers with a special technique – she paints in watercolor on waxed Japanese paper. With her double-sided screens, she aims to create a dialogue from both sides of the screen. “The murmurs of the material continue on the other side. Depending on the light, the transparency allows us to see a certain blur, a presence of light and delicate shadows. There is an invitation to go see and experience the material on the other side.” For the 2023 edition, she presented two altar-screens and a “Small Theatre”, in which the succession of different paper cut layers refers to the old fashioned opera and theatre decor model.